The
films were all based on Irish themes, and the early movies were
often stories about the trials and dangers of Irish rebels, with
titles such as "Ireland the Oppressed", "Rory O'Moore"
and "Robert Emmet". As the films became extremely popular
the powers that be became increasingly worried that they could spark
an uprising, and pressurised the company into agreeing that future
themes would be more romantic, giving rise to movies such as "The
Colleen Bawn", "A letter from America", "The
Irish Emigrant" and "The Fishing Maid of Ballydavid".
The Kalem Company of America and their moving pictures were beyond
the wildest dreams of people living in a rural Irish village at
that time, and Annie O'Sullivan of the Beaufort Bar, who was then
in her early teens, remembers..... "We were waving goodbye
to some guests when an American drew up and said they were making
moving pictures. My father said we had never seen anything like
that but we had 'Magic Lantern' pictures. They told us that it was
the same system except that the people in their pictures moved".
Practically the whole local population went on to appear as extras
in the movies, which generated great excitement in the village,
especially the novelty of dressing up in the 'fancy costumes'.
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